Crowdsourcing Journalism Rates

For the last few years I’ve been keeping a list of editors, word rates, contact details and brief notes on different magazine and website editors with my colleagues at the Schuster Institute for Investigative Journalism. It was crowdsourcing on a relatively small scale to help us figure out where the best home for our writing would be. However, I’ve come to realize that the list might also be useful for another, perhaps more noble goal. So I’ve scraped off the personal and identifying details and added a few new columns.


I’m throwing the database online and inviting writers from all over the world to add what they know about the size of the market. Help out and contribute by clicking on this link. Lets figure out what every magazine pays per word, how many features are in each book, and what they charge for advertising.


It’s a Google Doc, and pretty easy to update and modify. I’ve filled in what blanks that I could, but someone should probably check my numbers. Most advertising rates are easy to find on company media kits like the one Conde Nast publishes publicly.


The reason for this, of course is that last week’s post on how much writing in America is actually worth struck a nerve.  Many people were skeptical that magazines might really only pay out $3.6 million a year for their feature wells. The number seems absurdly small. And they might be right. Various commenters mentioned that the New Yorker alone must dish out almost $2 million annually on stories. Tom McGeveren wrote that his own publication (which turned out to be the newspaper the New York Observer) commanded a $3.5 million dollar budget on its own.  However everyone seemed to understand the overall point writers get only a tiny sliver of the overall publishing revenues of mainstream magazines.  


At the end of the day, almost no matter what set of numbers you crunch I’m almost certain that we will find that feature writing is such an insignificant amount that the advertising revenue from a single issue of one magazine should be able to cover the entire feature budget of all the magazines in America for an entire year.  For instance: the December 2014 issue of Wired had 87 full page ads. At the prices listed in the media that would have been worth almost $15 million. Even if we assume that they dolled out a 50% discount to every advertiser, that’s still $7.5 million. The writer’s cut would have been less than $50,000, or about 0.6%.


A full market analysis should not rely only on back of the envelope math. Understanding the total value of words in America is going to require some fairly sophisticated work, as well as information from every sector of the writing world. Jonah Ogles, an editor at Outside, called for writers to get involved and start sharing data. So I’ve decided to follow up. Lets figure this thing out and maybe, just maybe, it will give us a tool to demand a slightly bigger piece of that overall publishing pie.


  1. Harriet Brown   •  

    I could add something, but couldn’t get the google doc to take my changes. Is there something I need to know to modify the spreadsheet?

    • sgcarney   •     Author

      I think only 50 people can be in it at a time.

    • sgcarney   •     Author

      woah. thanks. any suggestions of what I should do differently?

  2. J. Michael Wheeler   •  

    Great information Scott. CrowdNews is building a marketplace for journalists to sell their content directly to their audience. I’m always amazed at how little journalists can earn in legacy media. Thanks for posting this.

  3. Pingback: | The Hive Mind On Writing Rates

  4. Pingback: Off The Wire: News for the Canadian media freelancer Jan 12-18

  5. Pingback: Off The Wire: Jan 12-18 | CMG Freelance

  6. Pingback: [Career] The Writer’s CrowdSource! Find Out What Every Magazine Pays Per Word & What They Pay For Advertising | Love And Biscotti

  7. sgcarney   •     Author

    On January 22 at 3:50 PM someone deleted the rate information off of this database. I keep regular backups on multiple machines and was able to restore the information. Let this be a lesson though that this effort is a powerful tool that magazines don’t want you to have.

    If someone notices something fishy with the database let me know and I’ll try to restore any content that goes missing.

  8. Pingback: What Hollywood can teach Magazine Writers -

  9. Pingback: Fragile Freelancers and the Fate of Journalism -

  10. Iga Motylska   •  

    Hi Scott, what a great initiative and brilliant article – thank you! I am a Johannesburg-based freelance journalist and studied investigative journalism at Wits University. I mainly write for South African print publications, pan-African publications/websites and have recently been doing more work for US-based publications. I would love to contribute to the Google Doc based on my experience and research. Thank you, Iga Motylska.

Leave a Reply

Your email address will not be published. Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>